“She really picks up a party, doesn’t she?”

We've arrived at the heart of the show

Welcome to week two of retrowatching Mary Tyler Moore! This week: Season 1, Disc 2, which includes episodes 8-16.

And with that, a programming note: Going forward, I will only be reviewing four episodes at a time. This is still in the experimental stage and lesson learned: eight is too many!

Before I get started, some people of note that I forgot to mention in the last blog:
– The show was co-created by James L. Brooks. He’s had just a little bit of success in television, creating such shows as Taxi and the Simpsons, as well as the MTM spinoffs Rhoda and Lou Grant. He was also a producer on The Tracy Ullman Show, and wrote and directed one of my favorite movies of all time, As Good As It Gets. The list goes on – a producer on another of my favorites, Say Anything, director of Broadcast News... guy has just a smidgen of talent.
– Many of these first episodes were directed by Jay Sandrich. That named seemed really familiar – turns out he went on to direct 100 episodes of The Cosby Show –  including this one and this one. As I’ve seen every episode of The Cosby Show at least three times, it’s no wonder his name was so familiar.
– Another name that stuck out to me: Lorenzo Music as a credited writer for several of the early episodes. It mostly stuck out as a fantastic name, but turns out this guy was ubiquitous in show business. Not only was he the voice of Garfield, he also played Peter Venkman in The Real Ghost Busters, a Saturday morning cartoon I remember well. Music had a steady career in voice over acting, played Carl the Doorman in Rhoda, wrote for the Smothers Brothers and Bob Newhart, and even composed the theme song to the Bob Newhart Show. What an interesting and varied career.

And now, onto the show!

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A woman’s right to choose

Is there a more iconic image in TV credits?

Is there a more iconic image in TV credits?

And we’re off! Thanks for joining me for the first official Retrowatching discussion of a classic TV show. Mary Tyler Moore – season 1 disc 1. Here we go.

In introducing these shows, I’d first like to give a little bit of background on where I’m coming from into these shows. With that in mind:

Why this show?
Every show reviewed on this blog will have the same initial answer as to “why” – Because it’s a classic show I’ve never seen and always wanted to. For Mary Tyler Moore, I’ve known all my life that it’s a special show – one that has had a major influence on the television landscape, whether it be from the three (!) spin-off shows it produced* – Rhoda, Phyllis and Lou Grant -or the fact that one of the most culturally influential shows of the last decade, 30 Rock, is pretty much an updated version of MTM.

*Am I missing any? And also, is this unprecedented? I can’t think of another show to produce even more than one spinoff.

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On your marks, get set…

Will she make it after all?

Will she make it after all?

…Not quite go, but here’s where you should get ready if you plan to follow along. As I said in the first post, I’ve seen the first several episodes of Mary Tyler Moore season 1, and the first official TV-watching post will land this week.

This first post will be more general, about my first impressions of the show and fun facts I’ve learned about it. (Welcome to the good and the bad part of watching in the iPhone age.) I’ll corporate this into a larger review of the first disc of season 1, or the first 8 episodes, including:
Love is All Around
Today I am a  Ma’am
Bess, You Is My Daughter Now
Divorce Isn’t Everything
Keep Your Guard Up
Support Your Local Mother
Toulouse Lautrec Is One of my Favorite Artists
The Snow Must Go On

Check back in mid-week for the first installment of Classic TV Rewatch!